Disgruntled Mei works on a pig farm and a butcher shop. One night she takes money from boyfriend Seng, breaks his heart, and boards a ship to Japan to work there illegally. A month later she gets deported. Her ex-boyfriend Seng picks up her up from the harbour. The young ex-couple spends the night trying to come to terms with how they came to their lives of shattered dreams and forsaken love. Angry words were exchanged, but as morning comes, in the face of fate’s inevitability, they inhale in resignation.
Something is awry at Boston General Hospital. Dr. Wheeler’s (Genevieve Bujold) friend Nancy goes in for a routine procedure, but never comes out of the anesthesia and slips into a coma. Wheeler learns that a tissue sample from the young woman went to the lab, then soon finds out that a high number of patients have become comatose recently. She digs a little deeper and finds a conspiracy mired in hospital politics, running afoul of the head of anesthesia, Dr. George (Rip Torn) and the head of surgery, Dr. Harris (Richard Widmark). Nobody believes the young MD, not even her boyfriend Dr. Bellows (Michael Douglas), but she soon uncovers a black-market trade in body parts, conducted offsite at the Jefferson Institute, a state-of-the-art coma-care facility. As a thriller, Coma certainly has its moments (the scene where a hit man is buried under a pile of frozen-stiff cadavers is an inspired touch), but it’s not without its problems. Director Michael Crichton is an MD himself, and the film has a seamless, almost mechanical structure and plotline (taken from the Robin Cook novel). However, the movie’s cold, detached feel works against it at times, making the suspense scenes oddly more effective but rendering the emotional content of the characters rather flat. Douglas in particular seems to not put much into his performance; Bujold, on the other hand, is strong and resourceful as the movie’s protagonist. More telling, perhaps, is the way that the story shows its age in a time when medical ethics have changed and the phrase “organ harvesting” has made its way into our lexicon.
Coma Trailer
TODAY’S SPECIAL is a heartwarming comedy with a culinary flavor, inspired by Aasif Mandvi’s Obie Award winning play “Sakina’s Restaurant.” Samir (Aasif Mandvi, The Daily Show with Jon Stewart, THE LAST AIRBENDER) is a sous chef who dreams of becoming the head chef at an upscale Manhattan restaurant. When he is passed over for a promotion he impulsively quits and lets his co-worker Carrie (Jess Weixler, TEETH) know that he intends to go to Paris and apprentice under a master French chef. Dreams must be put aside though after his father Hakim (Harish Patel, RUN FAT BOY RUN) has a heart attack and Samir is forced to take over Tandoori Palace, the nearly bankrupt family restaurant in Jackson Heights. Samir’s relationship with his parents and his heritage is immediately put to the test. He has been estranged from his father since the death of his older brother, and his mother Farrida, (played by legendary cookbook writer and actor, Madhur Jaffrey), is consumed with finding a wife for her remaining son. While Samir is being forced to forsake his dreams, he is desperately trying to master Indian cooking to salvage the family business. Luckily, he crosses paths with Akbar, a taxi driver, passionate chef, and worldly raconteur (portrayed by the icon of Indian cinema, Naseeruddin Shah, MONSOON WEDDING). Akbar inspires Samir and teaches him to trust his senses more than recipes; to stop measuring his life, and to start truly living it. With Akbar’s guidance, Samir has a chance to rediscover his heritage and his passion for life through the enchanting art of cooking Indian food.
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A village in Nineteenth Century Europe is at first relieved when a circus breaks through the quarantine to take the local’s minds off the plague. But their troubles are only beginning as children begin to disappear and the legacy of a long-ago massacre is brought to light.
The greatest love story ever told, starring…garden gnomes? In “Gnomeo & Juliet,” Shakespeare’s revered tale gets a comical, off-the-wall makeover. Directed by Kelly Asbury (co-director of “Shrek 2″) and showcasing both classic and original songs by Elton John, the film features the voices of James McAvoy and Emily Blunt as Gnomeo and Juliet, who have as many obstacles to overcome as their quasi namesakes when they are caught up in a feud between neighbors. But with plastic pink flamingos and thrilling lawnmower races in the mix, can this young couple find a happy ending?
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Jack Goes Boating is a tale of love, betrayal, friendship and grace centered around two working–class New York City couples. The film stars John Ortiz (American Gangster), Daphne Rubin–Vega (Broadway’s “Rent”), Amy Ryan (Gone Baby Gone) and Philip Seymour Hoffman (Capote), with Hoffman making his feature directorial debut. Bob Glaudini (“A View From 151st Street”) adapted his acclaimed Off Broadway play for the screen. Essentially, Jack (Philip Seymour Hoffman) and Connie (Amy Ryan) are two single people who on their own might continue to recede into the anonymous background of the city, but in each other begin to find the courage and desire to pursue their budding relationship. In contrast, the couple that introduced them, Clyde (John Ortiz) and Lucy (Daphne Rubin–Vega), are confronting unresolved issues in their marriage. Jack is a limo driver with vague dreams of landing a job with the MTA and an obsession with reggae that has prompted him to begin a half–hearted attempt at growing dreadlocks. He spends most of his time hanging out with his best friend and fellow driver Clyde and Clyde’s wife Lucy. The couple set Jack up with Connie, Lucy’s co–worker at a Brooklyn funeral home. Being with Connie inspires Jack to learn to cook, pursue a new career and take swimming lessons from Clyde so he can give Connie the romantic boat ride she dreams of. But as Jack and Connie cautiously circle commitment, Clyde and Lucy’s marriage begins to disintegrate. From there, we watch as each couple comes face to face with the inevitable path of their relationship. (Source)
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In his highly acclaimed novel Never Let Me Go, Kazuo Ishiguro (The Remains of the Day) created a remarkable story of love, loss and hidden truths. In it he posed the fundamental question: What makes us human? Now director Mark Romanek (ONE HOUR PHOTO), writer Alex Garland and DNA Films bring Ishiguro’s hauntingly poignant and emotional story to the screen. Kathy (Oscar® nominee Carey Mulligan, AN EDUCATION), Tommy (Andrew Garfield, BOY A, RED RIDING) and Ruth (Oscar® nominee Keira Knightley, PRIDE & PREJUDICE, ATONEMENT) live in a world and a time that feel familiar to us, but are not quite like anything we know. They spend their childhood at Hailsham, a seemingly idyllic English boarding school. When they leave the shelter of the school and the terrible truth of their fate is revealed to them, they must also confront the deep feelings of love, jealousy and betrayal that threaten to pull them apart.
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Peter Highman is an expectant first-time father whose wife’s due date is a mere five days away. As Peter hurries to catch a flight home from Atlanta to be at her side for the birth, his best intentions go completely awry when a chance encounter with aspiring actor Ethan Tremblay forces Peter to hitch a ride with Ethan–on what turns out to be a cross-country road trip that will ultimately destroy several cars, numerous friendships and Peter’s last nerve.
